Some guitars blend into the backline. This one was born for the spotlight. The Super '58 shows up fashionably late, works the room, and somehow still nails every entrance like it planned the whole thing.
It's finished in a Silverburst metalflake nitrocellulose lacquer that throws light around like it's got somewhere to be. The offset body keeps the classic silhouette but polishes it up for someone who knows the cameras are always rolling.
The medium C-shape neck moves fast and stays composed, no matter how big the moment gets. Gotoh tuners and a hand-cut bone nut hold pitch through every encore, because nobody remembers the guitar that went flat.
Under the hood, the Lindy Fralin Unbucker and split-blade pickup set give this thing real range, one minute smooth and magnetic, the next full of bite. A coil-split push-pull on the tone pot means it can change costumes mid-set, backed by American-made CTS pots that keep every tone clean and camera-ready.
Unplugged, it still commands the room. An alder body paired with a Hipshot two-point tremolo lets every bend arrive with a little flourish, like it's taking a bow.
Hard rock, blues, punk, smooth jazz. The Super '58 doesn't chase the spotlight, the spotlight chases it.
Mono M80 V2 case included at no additional cost
Alder body
Mahogany neck/Rosewood fingerboard with dot inlays, Gloss face/Satin back
Gotoh tuners
Lindy Fralin pickup set: Unbucker bridge: 8.5K Split blade blues middle and neck: 4.7K
Hipshot contour tremolo floating bridge
3ply Black/White/Black pickguard
CTS pots w/ Push pull tone
switchcraft output jack
Dunlop strap Buttons
Indian Rosewood fretboard with 22 frets, 25.5” scale
Jescar jumbo fret wire – .110” wide x .057” high
Neck back profile is Medium C Riley custom
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut
approximately 8.5 lbs - your scale may vary slightly
Some guitars blend into the backline. This one was born for the spotlight. The Super '58 shows up fashionably late, works the room, and somehow still nails every entrance like it planned the whole thing.
It's finished in a Silverburst metalflake nitrocellulose lacquer that throws light around like it's got somewhere to be. The offset body keeps the classic silhouette but polishes it up for someone who knows the cameras are always rolling.
The medium C-shape neck moves fast and stays composed, no matter how big the moment gets. Gotoh tuners and a hand-cut bone nut hold pitch through every encore, because nobody remembers the guitar that went flat.
Under the hood, the Lindy Fralin Unbucker and split-blade pickup set give this thing real range, one minute smooth and magnetic, the next full of bite. A coil-split push-pull on the tone pot means it can change costumes mid-set, backed by American-made CTS pots that keep every tone clean and camera-ready.
Unplugged, it still commands the room. An alder body paired with a Hipshot two-point tremolo lets every bend arrive with a little flourish, like it's taking a bow.
Hard rock, blues, punk, smooth jazz. The Super '58 doesn't chase the spotlight, the spotlight chases it.
Mono M80 V2 case included at no additional cost
Alder body
Mahogany neck/Rosewood fingerboard with dot inlays, Gloss face/Satin back
Gotoh tuners
Lindy Fralin pickup set: Unbucker bridge: 8.5K Split blade blues middle and neck: 4.7K
Hipshot contour tremolo floating bridge
3ply Black/White/Black pickguard
CTS pots w/ Push pull tone
switchcraft output jack
Dunlop strap Buttons
Indian Rosewood fretboard with 22 frets, 25.5” scale
Jescar jumbo fret wire – .110” wide x .057” high
Neck back profile is Medium C Riley custom
1-11/16” nut width
12″ fretboard radius
Hand carved bone nut
approximately 8.5 lbs - your scale may vary slightly
